Isabel Poveda take the social drama, the most effective, we assume and take it out of context with Yes or No (2011), the kind of masterpiece takes to be (I have taken three times to understand his secret) and understood in its magnitude, filled with a laugh, a nervous and really wonderful, a debt that can not support the reference could be their closer, Todd Solondz one that is what should interest us here and now that leaves us laughing hysterically, knowing that we have seen something terrible, something that perhaps only a triumph style, but style often.
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